In world films

UK based InWorld Films was founded by Suzie Anderton in 2012 for filming in Second Life, the internet's largest user-created virtual world. To join second life just go to https://secondlife.com/support/downloads/and create your avatar now !

InWorld Films was initially created as a hobby but the popularity grew and demand for my services increased. I now film Promotional videos for clubs, shops, sims, personal animation front page profiles, weddings, parties, music videos, concerts, ceremonial turnings RP, you name it, I film it !  

ALL InWorld Films can be found on YouTube with over 36,000 views under 

Youtube http://www.youtube.com/user/mysecondlifefun,

or here are some other links you can find us on

Twitter https://www.twitter.com/InWorldFilms

Aviewtv.com, http://www.aviewtv.com/category/inworld-films    

Facebook https://www.facebook.com/pages/Inworld-Films/255609797906536 

  

  

If you have any questions, please feel free to use the Contact Page or contact me Inworld at Second Life,  Suzie Anderton.

InWorld Films is not affiliated with or sponsored by Linden Labs / Research.

               Suzie Anderton          Owner of InWorld Films

Lumiya

About Lumiya

Lumiya Viewer is a Second Life grid client for Android phones and tablets. Stay connected with your Second Life friends while on the go. With Lumiya, you can send and receive instant messages, teleport to your favorite locations, participate in local chat, manage inventory and even see the virtual world around you in 3D. Watch the video, or read more on Lumiya features » Lumiya runs entirely on the phone without requiring you to use special in-world objects or external services. Get Lumiya on Google Play »

Second Livestock Full Presentation from Austin Stewart on Vimeo.

secondlivestock.com Second Livestock, a virtual reality world for battery-farmed chickens, draws parallels between how we treat animals and how we treat ourselves.Through a straight-faced parody of Second Life (a virtual reality world for humans) the project attracts non-traditional art audiences to a conversation about the reasons behind and consequences of people choosing to spend more of their lives in virtual spaces. The work exists as a website and performance. The performance consists of a presentation, an interactive demonstration of Second Livestock, and an open discussion. The vocabulary of the presentation and visual language of all related media mocks the marketing devices and hype of technology firms introducing new, “disruptive” technologies. The artist performs the presentation in the persona of the CEO of Second Livestock. After the presentation the audience is invited to participate in an open discussion and experience the VR world through a “prototype” of the CCI (Chicken-Computer Interface). This prototype consists of the Oculus Rift VR Headset and a custom omni-directional treadmill. An assistant helps audience members to use the CCI and supplies the CEO with technical details.

Mysterious Wave

MachinimUWA VI: REFLECTIONS - Audience Participation Event (Win a share of L$45,000 for watching machinima)

The Grand Finale Winners announcements for MachinimUWA VI & the UWA Centenary 3D Art Challenge (both themed REFLECTIONS) will be held from 6am SLT on the 4th of August. As serendipity would have it, we have 64 Machinima, and 64 3D artworks in the running for more than L$1,800,000 (L$1.8 mil) in prizes.

UWA would like to acknowledge the extraordinary efforts of the co-host for the event, LaPiscean Liberty (of AviewTV), the unsung hero of film in Second Life. We would also like to acknowledge fellow sponsors, Tom Papas, OPEN THIS END, with thanks to Cristina García-Lasuén (RL) / Aino Baar (SL), the Parramatta City Council, MetaHarpers (Arhenn Oberlander), AviewTV, Freemason Magic  with special thanks to Professor Ted Snell, UWA Director of the Cultural Precinct & Jon Stubbs, Director of Student Services.

WE INVITE ALL OF SL TO PARTICIPATE IN A L$45,000 AUDIENCE PARTICIPATION EVENT

Win a Share of L$45,000, a Spot on the Official Jury for the next Machinima Challenge @ UWA & Special RL Package. eadline For Audience Participation Prizes: Midnight SLT 25th July 2013.

L$45,000 has been set aside for all film & machinima lovers who take part in a special participation event. We are asking everyone to view the machinima and give us whom you think will finish in the TOP 10 in order 1st - 10th as decided by the official judging panel. (email jayjayaustralia@hotmail.com OR list them on a notecard to Jayjay Zifanwe - please put your name on the title of the notecard with the words MACHINIMUWA VI Audience Event). 

This is not a popularity vote. Your top 10 is your prediction of who the actual top 10 will be according to the official judging.

The 5 participants whose order comes closest to the final order as decided by the judging panel (Listed here), will win for themselves between L$5,000 - L$15,000. The first prize winner will also be invited to be on the panel for the next grand art challenge and ALL 5 will receive in the mail a special pack that includes a copy of the book, '100 Treasures of UWA' which was produced for UWA's Centenary.

* More than happy for the machinima artists taking part as well to submit their lists, as this will not impact the actual results

AUDIENCE PARTICIPATION PRIZES(Awarded to viewers/ visitors whose top 10 lists most closesly aligns to the actual juried top 10)

• 1st Prize L$15,000
• 2nd Prize L$10,000
• 3rd Prize L$8,000
• 4th Prize L$7,000
• 5th Prize L$5,000

All works are on the AviewTv RSS feed for MachinimUWA VI: Reflections. Full List below

ALL 64 MACHINIMUWA VI ENTRIES 

(In reverse Klingon Alphabetical Order)

Chic Aeon (Corvallis, Oregon USA) - DRAWING OUTSIDE THE LINES
Hypatia Pickens (Rochester, New York, USA) - CLOUD (YOUTUBE) / CLOUD (VIMEO)
Karima Hoisan & Natascha Randt (San Isidro del General, Costa Rica & Gelsenkirchen, Germany) - WINDOW ON A TRAIN
Vilvi Rae (Jyväskylä, Finland) - PAST|BEYOND
Emmo Wei (Florida, USA) - PALE HORSES
Ambrosia Lanley (Seal Beach, California) - DREAMTIME
Lazarus Doghouse & Pixie Rain (Memphis, USA & Peterborough, England) - MERE REFLECTIONS OF HER
Maximillian Merlin (Hannoversch Muenden, Germany) - THE FEATHER
GnomeZen (Ashland, Oregon, USA) - RENUNCIATION
Misprint Thursday (New Hampshire, USA) - BINARY STAR REFLECTIONS
Carol Rainbow [Carolrb Roux] (Oxfordshire, England) - DREAM OF LIFE
Joe Zazulak [Spiral Silverstar] (New Orleans, LA, USA) - THE MIRROR LIES
Haveit Neox (California, USA) - LOST ALPHABET OF LA CITTA PERDUTTA
Tutsy Navarathna (Frenchman in Pondicherry, India) - NARCISSUS (French); NARCISSUS (English)
Bryn Oh (Toronto, Canada) - JUNIPER
Erythro Asimov (Tours, France) - TAYA-TAN
Sophia Yates (Lancaster, Massachusetts, USA) - REFLECTIONS
Braclo Eber (South Africa) - STOLEN REFLECTIONS
Aquaglo (Texas, USA) - 100 YEARS OF EDUCATION?
Hypatia Pickens (Rochester, new York, USA) - SLOW LIGHT (VIMEO) / (YOUTUBE)
Luci von Smörgås [Lucian Zemenis] (Lund, Sweden) - REFLECTIONS (IN YOUR MIND)
Friday Siamendes (Denver Colorado, USA) - FOUR EYES

Glasz DeCuir (San Sebastian, Spain) - VIRUS IN HEAVEN
Devi Sky (Northridge, California, USA) - REFLECTIONS OF A LIFE
Mary Wickentower (Zimmermen, Minnesota, USA)  - REFLECTIONS ON COLOR
Veruca Vandyke (Arkansan, USA) - MALADY
Sophia Yates & Secret Rage (Lancaster, Massachusetts, USA) - REFLECTIONS INSIDE THE BLACK
Mysty Mellison (Colorado, USA) - THE FIRE
Hypatia Pickens (Rochester, New York, USA) - THE FAIREST ONE
Talia Sunsong (Berkeley, California, USA) - MASKS OF LIFE
Carol Rainbow [Carolrb Roux] (Oxfordshire, England) - REFLECTIONS OF CHILDHOOD
Joe Zazulak [Spiral Silverstar] (New Orleans, LA, USA) - SHADOWS REFLECTING DARKNESS
Chic Aeon (Corvallis, Oregon USA) - NO REGRETS
Pallina Loon (Rome, Italy) - PALLINA..THE LITTLE RASCAL
Erythro Asimov (Tours, France) - EGMONT (YOUTUBE) / VIMEO
Edward/Joseph Nussbaum (Durham, North Carolina, USA) - IKE R US
Elizabeth Spieler [Michele Rubatino] (Emerald City, Seattle, USA) - UWA REFLECTION: JOB
Karima Hoisan & Natascha Randt (Costa Rica & Germany) - REFLECT ON THIS: DACTYLS ARE DHARMA TOO
GnomeZen (Ashland, Oregon, USA) - DREAM REFLECTION
Carl Velde (Naples, Italy) - COMMUNICATION IS NEVER VIRTUAL
NicoleX Moonwall (New Orleans, USA) - REFLECTIONS
Molly Cybertar & Eric R. Nelson (Wisconsin, USA) - REEL 2
Bay Sweetwater (San Fransisco, USA) - CASTLE IN THE SAND
Misio (Melbourne, Australia) - PLANET TAKNI - REFLECTIONS ABOUT ARTIST
Chic Aeon (Corvallis, Oregon USA) - CAN YOU HEAR THE SILENCE
Aquaglo (Texas, USA) - REFLECTIONS OF CHOICES
Ed Vespucciano (Ottawa, Ontario, Canada) - LE SACRE DU PRINTEMPS
Elizabeth Spieler [Michele Rubatino] (Emerald City, Seattle, USA) - IN THE DARK
Sierra Rains (San Francisco, California, UWA) - LOVE FAILS
Laura Loire/ Prof Lori Landay (Berkeley, USA) - MIRROR PEOPLE
Wynshel Heir [Shelwyn Corrigan] (San Francisco, California, USA) - REFLECTIONS
Joe Zazulak [Spiral Silverstar] (New Orleans, LA, USA) - REFLECTIONS OF A VIRTUAL WORLD
Erythro Asimov (Tours, France) - HASTA TU ESTRELLA
GnomeZen (Ashland, Oregon, USA) - THE AWAKENING
Carol Rainbow [Carolrb Roux] (Oxfordshire, England) - REFLECTIONS
Sundog Branner (Lismore, Northern Rivers, NSW, Australia) - ART GROOVE
Gomolokai Absent (Kaunakakai, Molokai, Hawaii, USA) - LIFE REFLECTIONS
Aquaglo (Texas, USA) - IN MY SECRET LIFE
Misio2 (Melbourne, Australia) - WINDOWS & PIGS
Aquaglo (Texas, USA) - I WALK ALONE
Erythro Asimov (Tours, France) - HURACAN - LOVE IS STRONG (YOUTUBE) / VIMEO
Giannis Piaggio (Athens, Greece) - THE LAKE
NicoleX Moonwall (New Orleans, USA) - REFLECTIONS ON THE WAY IT WILL BE

Corphaelia Ninetails (The Island of Anglesey, North Wales) - DAY ZERO (Provisional - link in progress)

The audience participation event for REFLECTIONS: The UWA Centenary 3D Art Challenge is now open and extended to the 25th of July as well. Full list of 64 artworks is listed and everyone is welcome to submit a top 10 list according to what they think will finish in the actual top 10 as decided by the official judging panel (a total of L$45,000 will be awarded to those getting it closest).

MachinimUWA VI: Bay, Veruca, Giannis, Emmo, Talia & Luci take the total to 50!

 
Closing in on 24 hours to go, we bring another beautiful selection of 6 to the challenge, taking the total to 50!. Luci von Smörgås continues the European renaissance with a work whose timing is perfect given the recent Supreme Court decision in the USA, Emmo Wei's Pale Horses, brings to mind the series of tragedies that ended with us burying our hearts at Wounded Knee, Veruca Vandyke returns, and shows what happens when relationships break down, Bay Sweetwater's  brings to us a love story where a sand castle is swept away and returned on the tide, Talia Sunsong unmasks a wonder with Masks of Life, while Giannis Piaggio brings to us a curious tale, with The Lake.



Do note that 'Gift from the Gods' can also be used now to meet the entry requirements. 

These machinima are now part of the L$1.1 Million, MachinimUWA VI: REFLECTIONS, the 6th UWA Short Animated Film Challenge. The theme for MachinimUWA VI is a tribute to the Centenary of the University of Western Australia. Entries for MachinimUWA VI: REFLECTIONS may consist of any storyline that fits the theme of 'REFLECTIONS.' At least ONE of the 3 'Spaces of Reflection' on UWA's SL SIMS (the Sunken Gardens, the Somerville Auditorium or the Reflection Pond) must be clearly shown in the story.

Special prizes are also offered for machinima that best portray one or a few of the artworks entered in UWA Centenary 3D Art Challenge: REFLECTIONS

All works are on the AviewTv RSS feed for MachinimUWA VI: Reflections  

MachinimUWA VI Entries (In reverse Klingon alphabetical order)
Chic Aeon (Corvallis, Oregon USA) - DRAWING OUTSIDE THE LINES
Hypatia Pickens (Rochester, new York, USA) - CLOUD (YOUTUBE) / CLOUD (VIMEO) 
Karima Hoisan & Natascha Randt (Costa Rica & Germany) - WINDOW ON A TRAIN
Vilvi Rae (Jyväskylä, Finland) - PAST|BEYOND
Emmo Wei (Florida, USA) - PALE HORSES
Ambrosia Lanley (Seal Beach, California) - DREAMTIME
Lazarus Doghouse & Pixie Rain (Memphis, USA & Peterborough, England) - MERE REFLECTIONS OF HER 
GnomeZen (Ashland, Oregon, USA) - RENUNCIATION 
Misprint Thursday (New Hampshire, USA) - BINARY STAR REFLECTIONS
Carol Rainbow [Carolrb Roux] (Oxfordshire, England) - DREAM OF LIFE
Joe Zazulak [Spiral Silverstar] (New Orleans, LA, USA) - THE MIRROR LIES
Haveit Neox (California, USA) - LOST ALPHABET OF LA CITTA PERDUTTA 
Tutsy Navarathna (Frenchman in Pondicherry, India) - NARCISSUS (French); NARCISSUS (English) 
Bryn Oh (Toronto, Canada) - JUNIPER
Sophia Yates (Lancaster, Massachusetts, USA) - REFLECTIONS 
Braclo Eber (South Africa) - STOLEN REFLECTIONS
Aquaglo (Texas, USA) - 100 YEARS OF EDUCATION?
Hypatia Pickens (Rochester, new York, USA) - SLOW LIGHT (VIMEO) / (YOUTUBE)
Luci von Smörgås [Lucian Zemenis]  (Lund, Sweden) - REFLECTIONS (IN YOUR MIND)
Devi Sky (Northridge, California, USA) - REFLECTIONS OF A LIFE 
Mary Wickentower - REFLECTIONS ON COLOR
Veruca Vandyke (Arkansan, USA) - MALADY
Hypatia Pickens (Rochester, New York, USA) - THE FAIREST ONE 
Talia Sunsong (Berkeley, California, USA) - MASKS OF LIFE
Carol Rainbow [Carolrb Roux] (Oxfordshire, England) - REFLECTIONS OF CHILDHOOD
Joe Zazulak [Spiral Silverstar] (New Orleans, LA, USA) - SHADOWS REFLECTING DARKNESS
Chic Aeon (Corvallis, Oregon USA) - NO REGRETS 
Pallina Loon (Rome, Italy) - PALLINA..THE LITTLE RASCAL
Erythro Asimov (Tours, France) - EGMONT (YOUTUBE) / VIMEO 
Edward/Joseph Nussbaum (Durham, North Carolina, USA) - IKE R US 
Elizabeth Spieler [Michele Rubatino] (Emerald City, Seattle, USA) - UWA REFLECTION: JOB
Karima Hoisan & Natascha Randt (Costa Rica & Germany) - REFLECT ON THIS: DACTYLS ARE DHARMA TOO
GnomeZen (Ashland, Oregon, USA) - DREAM REFLECTION
Carl Velde (Naples, Italy) - COMMUNICATION IS NEVER VIRTUAL
Bay Sweetwater (San Fransisco, USA) - CASTLE IN THE SAND
Misio (Melbourne, Australia) - PLANET TAKNI - REFLECTIONS ABOUT ARTIST
Chic Aeon (Corvallis, Oregon USA) - CAN YOU HEAR THE SILENCE 
Aquaglo (Texas, USA) - REFLECTIONS OF CHOICES 
Ed Vespucciano (Ottawa, Ontario, Canada) - LE SACRE DU PRINTEMPS
Elizabeth Spieler [Michele Rubatino] (Emerald City, Seattle, USA) - IN THE DARK 
Sierra Rains (San Francisco, California, UWA) - LOVE FAILS
Wynshel Heir [Shelwyn Corrigan] (San Francisco, California, USA) - REFLECTIONS
Joe Zazulak [Spiral Silverstar] (New Orleans, LA, USA) - REFLECTIONS OF A VIRTUAL WORLD 
GnomeZen (Ashland, Oregon, USA) - THE AWAKENING 
Carol Rainbow [Carolrb Roux] (Oxfordshire, England) - REFLECTIONS
Sundog Branner (Lismore, Northern Rivers, NSW, Australia) - ART GROOVE
Misio2 (Melbourne, Australia) - WINDOWS & PIGS
Aquaglo (Texas, USA) - I WALK ALONE
Erythro Asimov (Tours, France) - HURACAN - LOVE IS STRONG (YOUTUBE) / VIMEO
Giannis Piaggio (Athens, Greece) - THE LAKE (Provisional)

ALSO, the audience participation event for REFLECTIONS: The UWA Centenary 3D Art Challenge is now open. Full list of 64 artworks is listed and everyone is welcome to submit a top 10 list according to what they think will finish in the actual top 10 as decided by the official judging panel (L$20,000 will be awarded to those getting it closest)

64 artworks entered and now on display so far! Do visit the UWA Challenge Gallery to view them. CLICK HERE TO TELEPORT TO GALLERY!
.

The Lake

A MachinimUWA VI: REFLECTIONS (6th UWA Short Animated Film Festival) entry.

Viewing parts of the Frankenstein classic tale reflected by lake Como waters.

Sunken Gardens is the place that our hero remembered this curious old story...

Background sound's are from - Frankenstein (1931)  http://www.imdb.com/title/tt0021884/



 

MachinimUWA VI: REFLECTIONS (6th UWA Short Animated Film Festival)

We are happy to announce the 6th Machinima Challenge put forth by the University of Western Australia (UWA). The theme is 'Reflections'. Sponsored by the Parramatta City Council, MetaHarpers (Arhenn Oberlander), AviewTV, Freemason Magic & UWA the prize pool sits at L$1,100,000 (approx USD 4,500). We hope you are inspired by this to create many wondrous works as you have been through the years! (Please note the major rule & special prize guidelines as well as the Audience Participation Prizes for watching the machinima)

WHAT: MachinimUWA VI : Reflections 

WHEN: Entries Close at Midnight SLT 30th June 2013.  Winner will be announced in August 2013

THEME:
The theme is 'REFLECTIONS'. Reflections in a pool of water... Reflections of light... Reflecting on the grandeur of the universe... Reflections of art.... An Inner Reflection.....Reflecting on opportuinities lost, or siezed... How 'Reflections' is interpreted is exactly like how beauty is interpreted.... in the eyes of the beholder... or in this case, the eyes and lens of the machinimatographer.

WHY THIS THEME?
This theme was chosen  in conjunction with the 2013 UWA Centenary, as she reflects on 100 years of existence and ponders the question of what the next 100 years will bring.

MAJOR RULE:
You machinima can be about any type of 'Reflections' you may wish to portray. There is only one  requirement to make this a valid entry. At least one of the 3 major spaces of Reflection at UWA needs to be included in your storyline (The Reflection Pond, The Sunken Gardens, The Somerville Auditorium - LM's provided below). You may choose to film in any other area of the campus if you so wish or you could include all 3 locations, but the rule is you need to select at least ONE. You may use props at the location, or maybe want to change the footage later during the post process, this is up to you... as long as one of the 3 spaces you choose to be part of your Machinima can be recognized and form part of your storyline. Addendum: Or, you could choose to include Robin Yakinthou's 'Gift from the Gods' instead of one of those 3 spaces.

PRIZES:
There is a prize pool of L$1 Million, with a L$200,000 top prize, and 12 prizes in all. There will be a top 10, as well as 2 special prizes.  All winners will also receive a special RL UWA package.  The UWA Centenary Prize of L$50,000 will also be awarded to the Machinima that best captures the essence of 100 years of reflections on education. The UWA Art of the Artists Prize of L$50,000 will be awarded to the Machinima that best incorporates one or a number of the artworks that have been submitted to the UWA Centenary 3D Art Challenge.  Info on Art Challenge here: http://www.uwainsl.blogspot.com.au/2013/02/reflections-uwa-centenary-3d-art.html

There are also audience participation awards totalling L$45,000 for just watching the machinima and submitting a top 10 list

The Reflection Pond Next to Winthrop Clock Tower
http://slurl.com/secondlife/University%20of%20WA/120/231/24

The UWA Sunken Gardens
http://slurl.com/secondlife/University%20of%20WA/36/228/24

The UWA Somerville Auditorium with its Norfolk Bay Pine Trees
http://slurl.com/secondlife/University%20of%20WA/238/180/26

Robin Yakinthou's 'Gift from the Gods'
http://slurl.com/secondlife/University%20of%20WA/247/147/24

The UWA Centenary 3D Art Challenge Gallery (curated by FreeWee Ling)
http://slurl.com/secondlife/UWA/64/131/249

LENGTH:
4 mins 30 seconds is the strongly recommended maximum length, but this is not a hard rule. The UWA Special Prize however can only go to a machinima that fits within the recommended length.

METHOD OF ENTRY:
Load the Machinima anywhere, preferably youtube or vimeo, provide link to Jayjay Zifanwe & LaPiscean Liberty

We look forward to seeing what you find as you begin your REFLECTIONS.

OTHER MATTERS
*All work must be free of copyright issues. If requested, you must provide detailed information regarding the source, creator and background information of your work. If you utilize any 3rd party materials, such as music, you must have obtained permission from the creator.
* Please acknowledge the works you feature, the lands you film and any music or content that you use
* Multiple unique entries are encouraged (do try to stick to the suggested time limit)
* If you need to rezz (blue screen etc), contact Jayjay Zifanwe or FreeWee Ling
* If you have questions or want to discuss anything, please contact Jayjay Zifanwe
*All entries remain the property of the creator, however once entered, you agree to provide UWA & AviewTV  to non-exclusive, unrestricted, use in perpetuity in the known universe for educational and promotional purposes.

JUDGING PANEL
Professor Ted Snell (RL) - Director, Cultural Precinct, The University of Western Australia
Jon Stubbs (RL) - Director of Student Services, UWA
Dr Sally Quin - Curator, Lawrence Wilson Art Gallery, UWA Museums, UWA
Lyn DiCiero -  Editor, WA Artist's Chronicle
Madeleine King - Director  UWA Centenary Celebrations
Virginia Rowland (RL) - Senior Policy Officer, Centenary Planning, UWA
Merle Hearns (RL) / Briarmelle Quintessa (SL) - Senior Lecturer, Foundation Studies Department, Manukau Institute of Technology, Auckland, New Zealand
C.Steele (RL) / Rasaec (SL) - Lecturer, York University, Toronto, Canada
Debora Kaz - Director of Kaz Filmes e Produções / Producer of I Festival Machinima Art Connections Brasil
FreeWee Ling (SL) - Curator, UWA 3D Open Art Challenge
LaPiscean Liberty (SL) - CEO AviewTV and UWA Virtual World Technical Media Advisor
Apmel Goosson - Scandinavian Author/Publisher
Dr. Phylis Johnson (RL) - Media Professor, Southern Illinois University, Author - Machinima: Aesthetics and Practice (a.k.a, Sonicity Fitzroy, SL Virtual Journalist)
Mal Burns (SL), Metaverse News Aggregator and Broadcaster
Apollo Manga  - examiner.com Writer & Novelist
Chestnut Rau (SL) - Journalist
Quan Lavender - Journalist & Blogger
Tom Papas - 48 Hour Festival, Australia
Honour McMillan - Blogger
Taralyn Gravois - CEO of VE Concepts
Dousa Dragonash (SL) - COO Metaverse Television
Sasun Steinbeck  -  Creator of the Art Galleries of SL list
Persia Bravin (SL) - Journalist, SL Media Producer and TV host
TheDoveRhode - Owner of PEACE IS A CHOICE GALLERY
Persia Bravin - Journalist & Media Producer
Arrehn Oberlander (SL) - Firestorm Developer, MetaHarper art collective founder

K. DaVette See,  Director Owner Running Lady Studios and Suzy's Super Cast & Crew, USA

Jay  Jay Jegathesan (RL) / Jayjay Zifanwe (SL) - Manager School of Physics/ Lead of UWA Virtual Worlds

FULL PRIZE LIST (L$1,100,000 in total)
1st Prize: L$200,000
2nd Prize: L$150,000
3rd Prize: L$125,000
4th Prize: L$100,000
5th Prize: L$80,000
6th - 10th Prize: :@$40,000
UWA Centenary  Prize: L$50,000 (awarded by UWA members of the committee)
UWA Art of the Artists Prize: L$50,000
Additional L$100,000 to be further distributed among the existing prizes

Machinima Audience Participation Prizes:
1st Prize: L$15,000
2nd Prize: L$10,000
3rd Prize:  L$8,000
4th Prize: L$7,000
5th Prize: L$5,000
(prizes given to audience members whose top 10 lists most closely align to the final juried top 10)

* Special thanks to Eliza Wierwight for all her support
* Special thanks also to the creator of some of the spaces at UWA. These include Chuckmatrix Clip, quadrapop Lane, Nyx Breen, Bradley Dorchester (Bradley Curnow, RL). Dragonmage Bogan (Dr Chris Thorne, RL), Sharni Azalee & Minny Werefox (Minh Tran, RL).
* Special thanks also to our sponsors The Parramatta City Council, Aview TV (LaPiscean Liberty), MetaHarpers (Arhenn Oberlander),  Freemnason Magic and a very generous anonymous donor.

Second Life - The Movie

"There's real life in the virtual world" Second Life the Movie. A virtual world occupied by 15 million residents and one of then is here. Sour Grape Productions in association with Theatre by Numbers presents "Second Life" written by Michael Dawson

Technical support by www.sitepal.com

A finalist in Channel Fours "The Radio Plays the Thing" and "PILOT" as well as the Digital Edge Writing Award.

Visit the real second life at www.secondlife.com

Talk to Mickey DeSantis here www.secondlifemedia.co.uk

Project Sunshine

Welcome to Linden Lab's Project Sunshine. Sunshine is a new way Second Life processes avatar rezzing during logins and avatar rebake requests. This video will show you how much faster this process is — and how it improves your user experience.

Second Life Founder’s New Virtual World Uses Body-Tracking Hardware

Hardware that tracks your head, eyes, and hands will make the follow up to Second Life very different from the pioneering virtual world.

The founder of the once-popular virtual world Second Life, Philip Rosedale, is working on a new 3-D digital world that looks like it will be operated using gestures and body-tracking hardware. Rosedale declined to talk about his new company, called High Fidelity, just yet. But videos and other material posted online by the company suggest it is working on an impressively immersive virtual-reality experience where you control an avatar using head and hand movements.
In the YouTube video embedded below, a crude avatar copies the head movements of someone at High Fidelity wearing spectacles with an exposed circuit board attached. A simple but workable animation even mirrors the man’s speech with the avatar’s own mouth. (The text being read is from Snow Crash, a Neal Stephenson novel that features a virtual world called the Metaverse and popularized the term”avatar.”)
Rosedale this week tweeted a photo of headphones with similar exposed electronics that he described as “head gyros,” presumably referring to gyroscopes used to detect rotation.
This ad asking for contractors states that High Fidelity even has a Google Glass app to allow head motion to “move the avatar head and/or joints,” and this video shows that they also have code that enables a smartphone to be used like a Wii controller to take control of a character in a virtual world.
Another want ad asks for help using Leap Motion’s camera-based gesture controller “for controlling the motion of the avatar.” A similar ad asks for a small circuit board that could be mounted to spectacles to bounce infrared light off a person’s eyeball and detect the reflection, a method used in eye-tracking systems. That could offer a way to use your gaze to control that of your avatar.
The High Fidelity website offers few clues as to how all this will come together, summing up what the company is doing like this:

“We’re building a new virtual world enabling rich avatar interactions driven by sensor-equipped hardware, simulated and served by devices (phones, tablets and laptops/desktops) contributed by end-users.”

That suggests that using the world won’t involve connecting to a central server, as did Second Life. Instead software on the computers of the people that want to use the world will create and run the world. That sounds challenging to coordinate, but the High Fidelity site also suggests that you might earn “virtual world currency in exchange from helping to power the grid,” implying that there may be incentives to leave your computer working on the simulation even when you’re not actively using it.
As for what the final result will be like, the best decription on High Fidelity’s site is this:

“We think richly rendered avatars capturing head movements, eye movements, and body language offer much more compelling person-to-person interaction possibilities that the poorly-lit, awkwardly-framed facsimiles of ourselves we share through videoconferencing today.”

What little can be seen of the company’s work so far suggests that it could be some time until that vision is complete. However, Rosedale is known to have the backing of investors including Google Ventures and Mitch Kapor, and it may be hiding its real progress.

The Drax Files: World Makers [ Episode 6: Abramelin Wolfe]

Motion capture artist Abramelin Wolfe monetizes his creativity by humanizing our virtual lives -- one fluid movement at a time. He puts his dream of an immersive future succinctly: "We want a universe that we can step into!" Edinburgh-based Abranimations is run by the Englishman with his Scottish wife who designs colorful mesh avatars. The couple makes their living capturing performances ranging from everyday walking and communicating to 1920's flapper dances and Geisha sequences. They then sell the polished animations in their in-world store to a global userbase by way of the Linden Dollar. But the virtual world is more about fun than it is about commerce for him, says Abramelin: "Second Life is about other people's creativity. Some of it is beautiful. Some of it is just strange...but all of it is amazing! It is like looking into their minds." Abramelin's hectic work schedule includes expanding the business to encompass services for the emerging Scottish video game industry, but he always finds time to take long flights over the vast virtual mainland to marvel at user-created chaos and beauty. It's a digital testament to human ingenuity and the desire to exercise that muscle of imagination. More information at http://www.abranimations.com

Breathe you in my dreams / Trixie Whitley

The amazing story of a man living into a cloudy isolated island and looking at the horizon. Any resemblance to real persons would obviously be accidental. ￭ Music This video features the song "Breathe you in my dreams" from the LP "Fourth Corner" by Trixie Whitley ￭ Filmed into Second Life Winter Moon http://maps.secondlife.com/secondlife... Build made by Dream Shadowcry ￭ Many Thanks to Dream Shadowcry for letting me film on this wonderful place

Can Second Life Help You Keep the Weight Off?

A study from the University of Kansas compared results from the a in-person weight loss clinic to a parallel clinic in Second Life. It found the two are comparable for weight loss, but for maintenance, the virtual world worked better.

VIDEO

Fantasy Faire 2013 – The Quest For The Golden Prim Wanted Posters Issued

 

Whilst enjoying your time in the Fairelands during Fantasy Faire, it’s wise to be on the lookout for ne’er do wells and they are certainly apparent with regards to The Quest For The Golden Prim, the following are wanted on suspicion of murder!

Wanted-Poster-Andrew-McMinn

Wanted-Poster-Ephemera-Wirefly

Wanted-Poster-Hortensia-Primm

The authorities have warned us that these people are dangerous and should not be approached, if you do see them report them to the Sherriffs of The Fairelands.

Their foul deeds include the alleged murder of a Mr Carruthers at his home in Steelhead, please be cautious if you are visiting the Fairelands, especially if you are at the party there today between 2 – 5pm SLT, the word on the street is that the fugitives may well be in the vicinity.

SLURL To The Explorers Club : http://maps.secondlife.com/secondlife/Lotus%20Valley%20Dream/214/201/30

He moved all his Second Life Linden dollars into bitcoin

Sam Williams is a senior software engineer at Quartz, where he focuses on security and API development.

Me at the ATM with a cat I don't know.

 

With all the chatter lately about bitcoin’s surge in value, I figured it was time to try it out for myself. But rather than setting up a “mining” operation to create new bitcoins or investing US dollars, I realized I could transfer some money from one virtual currency into another.
As an early user of the virtual world Second Life, I had amassed a few thousand Linden dollars, which is the currency used for transactions within the game. Second Life used to pay basic users a stipend of L$50 a week simply for logging in. Not having used it in years, I was pleasantly surprised to find over L$5,000 Linden dollars sitting in my account, just waiting to be converted into bitcoins.
I started the day with L$5,203 in my Second Life account, which is worth about US$20. To move my money, I created an account at VirWoX, a virtual currency exchange originally created to exchange Linden dollars for real-word, government-issued money. You can trade US dollars, euros, pounds, and Swiss francs into and out of Linden dollars, Avination (used in a virtual world of the same name), and Open Metaverse Currency (used in several virtual worlds). You can also now exchange between Linden dollars and bitcoin.
In order to initiate the transfer, I had to visit one of VirWoX’s terminals inside Second Life, where I deposited L$5,195. That’s me in the image above, with what appears to be some sort of cat behind me. The terminal works kind of like an ATM, except that instead of punching in a PIN, the terminal showed me a PIN I created in VirWoX, to prove that it was legitimate and not some rogue ATM trying to rip me off.
Having transferred the funds into my VirWoX account, I needed to convert them into bitcoins, which means dealing with exchange rates. Even though I work in an office filled with financial journalists, not everything sinks in, and I managed to commit a rookie mistake of buying in with the market price of bitcoins at an all-time high. I executed a trade at an exchange rate of about 49,000 Linden dollars for 1 bitcoin. VirWoX took a commission of L$50 plus 2.9% of the transaction. After a nearly instantaneous trade, I was the proud owner of one-tenth of a bitcoin, worth about US$18 at the time of trade.
The final step was simply to get the money out of my VirWoX account and into a bitcoin “wallet,” a secure address that acts as my public identity on the bitcoin network. This turned out to be, by far, the most time-consuming step. After downloading the recommended bitcoin client, I needed to wait about five hours for it sync with the network. Once that was done, I initiated a transfer from my VirWoX account to my newly created bitcoin wallet. VirWoX charged a fee of one-hundredth of a bitcoin to make the transfer.
That left me with a grand total of BTC 0.09, worth about US$18.20 at the time of this writing. Or at least that’s what I hope. After clicking to transfer the funds, I got a somewhat cryptic response saying my withdrawal now requires a “manual step” by VirWoX that can take up to 48 hours to complete.
As I wait for my bitcoin client to synchronize with the network, this is the perfect time to see how much my time is actually worth. And what better way then by running an ever-so-slightly absurd Tesla cost-of-ownership calculator in reverse? Assuming my final transfer eventually completes, my time is apparently worth around US$3.44 per hour, or roughly BTC 0.018 an hour.
I think I’ll stick with software development and leave the investing to the professionals.

Depression

The depression never ends.
I'm not always strong enough to defend myself.
No more gentle friends.
Their wounds I would always mend.
I'm the one you can depend.
But in return you give me all the torment you can send.

Curse Of Sorrow

Just because you feel no hope right now doesn't mean you won't feel any tomorrow.
The gift of sensitivity comes with a curse of sorrow.
Worried to return something you wish you never had to borrow.
In front of enemies never let them see you cower.
Surviving through suffering increases your power.

Bridges

So I guess I didn't burn those bridges just quite yet.
The thought of them makes me cringe.
Cutting themselves with the ridge of a syringe.

Crushed

I don't see the rush.
Maintaining my silent hush.
It makes me blush.
The way my soul is crushed.